Grandmaster Versus Amateur

The variation is named after Johannes Hermann Zukertort, the first player to deminstrate the wonderful attacking potential of the white bishops lined up on the b1-h7 and b2-g7 diagonals. As we will see, there are many move orders by Black in the Colle-Zukertort, but white usually gets by with a single sequence: 1.d4, 2.e3, 3.Bd3, and 4.Nf3 - although in this book we will see a lot of other orders. The center is usually closed or semi-open in the Colle-Zukertort and this enables white to perform some elaborate maneuvers and execute long-range plans denied him when the center is open. Positional play is supreme. The chapters are: 1)Zukertort 5.b3 vs. Koltanowski 5.c3, 2)How White Wins, 3)How White Loses, 4)Common Strategic Mistakes, 5)Main Line Zukertort Vatiation 5.b3 Analysis.

This book fills an enormous void in chess literature. There are a countless number of players who are very happy to defend the black side of the Queen's Gambit or play the Nimzo-Indian, Queen's Indian, Bogo-Indian or Benoni. However, more often than not they have been forced to muddle their way through a whole variety of annoying sidelines White has at his or her disposal, including the dreaded Trompowsky, the tricky Blackmar-Diemer Gambit and the tiresome Colle Variation.

Tired of constantly defending passive positions with the black pieces against 1. d4? Looking for something new and exciting to unleash at the chessboard? This book provides an answer to these perennial questions. International Master and renowned openings theoretician Richard Palliser presents a complete repertoire for Black against queen's pawn openings based on the dynamic and very much underrated Black Knights Tango. Using illustrative games, Palliser gives a thorough grounding on the key tactics and strategies behind this ambitious opening, while also highlighting the various tricks and traps that both sides have to watch out for. Studying in depth both the main lines and White's more offbeat tries for an advantage, Palliser gives the readers the required knowledge and confidence to immediately try the Tango in their own games.

This new series provides an ideal platform to study chess openings. By continually challenging the reader to answer probing questions throughout the book, the Move by Move format greatly encourages the learning and practising of vital skills just as much as the traditional assimilation of opening knowledge.

1.d4 d5 2.e3 Nf6 3.Bd3 e6 4.Nf3 c5 5.c3 and other moves where Black does not play c5. There aren't as many strategic plans and positional themes as in the Queen's Gambit; but there are still quite a lot - and that's enough for 95 percent of serious players. Against an amateur opponent, the Colle is a deadly weapon, a quick killer. Edgar Colle and his fellow Belgian native, GM George Koltanowski, registered a string of sparkling victories, many of them in less than thirty moves, with this system. He even had the great Alekhine on the ropes with it.

This manual fills a big gap in chess literature. After 1.d4, probably the most widely played opening move in the world, Black can avoid main line theory by deviating into a whole variety of irritating unorthodox sidelines. White players often stumble into unknown and dangerous territory where their tricky opponent awaits them, fully prepared.

White plays 1.d4 Nf6 2.Nf3 followed by Bg5. The Torre Attack is a very flexible opening employed by white which involves quick development and fight for control of the e4 square. A standard setup would involve placing the queen's knight on d2, light-squared bishop to d3, king's rook to e1 after a quick castling, and pawn to e3 or e4. However, there is a flexibility that allows for many different setups, depending on the strategic path that the white player wishes to employ and black's setup. This flexible, dynamic system has been employed by virtually every top GM at some point in their career, even at the World Championship match level. Schiller shows why this opening system should be part of every player's repertoire.

Grandmaster Repertoire 11 – Beating 1.d4 Sidelines provides a sound and active repertoire against virtually every non-standard opening line at White’s disposal after both 1.d4 d5 and 1.d4 Nf6.